Free Novel Read

Collected Poems Page 14


  and he has difficulty holding them

  in his clumsy, larded hands.

  The next day will be spent

  untying the little knots.

  In Renshaw Street

  a man with blue eyes

  and skin the colour of worn pavements

  burrows into the busstop litterbin.

  The sherrybottle is empty

  but there is a bacon rasher

  and a screwdup foil of Lurpak

  as well as a deflated ball of string

  String is great.

  It ties up pillowends

  and keeps the wind

  out of your trouserlegs.

  Things dont get lost

  when there’s string about.

  Good to play with in bed.

  Always keep some handy.

  Near Windsor Street

  where they are pulling down houses

  there is much that rusts and glistens.

  A pair of nail scissors

  halfhidden by tin cans, stands,

  one foot in the grave.

  Approaching is a man

  tying a rosary of knots into a length of dirty string.

  His life, like this poem,

  out of sequence,

  a series of impressions,

  unfinished, imperfect.

  Unlucky for Some

  13 voices from a woman’s hostel in Soho, 1979

  1

  What do I do for a living? Survive.

  Simple as that. ‘God helps those

  who help themselves.’ That’s what the

  vicar told me. So I went into

  the supermarket and helped myself.

  Got six months. God help those

  who help themselves. Nowadays

  I’m a traveller. South-west mainly

  then back here for the winter.

  I like the open air. Plenty of it

  and it’s free. Everything else I beg

  borrow or steal. Keep just about alive.

  What do I do for a living? Survive.

  2

  It runs like duck’s water off me back.

  What people say. How do they know?

  They seem to think I enjoy

  looking shabby. Having no money.

  Being moved on from cafés,

  from warm places. How would

  they like it? They’d soon sneer

  on the other side of their faces

  if they ended up down and out.

  Up down and out. Up and down.

  Out of luck. That’s all you have to be.

  Half of them calling the kettle black.

  It runs like duck’s water off me back.

  3

  It’s the addicts I can’t stand.

  Getting drunk on pills. Stoned

  they call it. Make me sick.

  Sticking needles into themselves

  in dirty lavatories. Got no shame.

  And they get prescriptions. Wish

  my doctor would give me one

  everytime I felt like a drink.

  I could take it along to the

  allnight off-licence in Piccadilly

  come back here and get drunk

  for a week. Get high. Stoned.

  It’s the addicts I can’t stand.

  4

  I’m no good, that’s what I’ve been told

  ever since I can remember. So

  I try to live up to my reputation.

  Or down to it. Thievin’ mainly.

  And drugs. You get used to prison.

  Don’t like it though, being cooped up.

  That’s why I couldn’t work in a shop

  or a factory. Drive me crazy.

  Can’t settle down. 21 years old

  and I look 40. It’s the drugs.

  I’ll O.D. probably. Couldn’t care less.

  Rather die young than grow old.

  I’m no good, that’s what I’ve been told.

  5

  Now I’m one of the idle poor.

  A rose in a garden of weeds.

  Slightly shrivelled of course, but nevertheless

  an interesting species: ‘Retrobata Inebriata’.

  I was born into the leisured classes.

  No doubt you can tell. Born rich

  and married rich as well. Too much

  leisure that was the trouble. And drink.

  Cost me a husband, home, family.

  Now I’ve only a bed, a roof over my head.

  Perhaps I don’t deserve more.

  I used to be one of the idle rich.

  Now I’m one of the idle poor.

  6

  I get frightened you see. Easily scared.

  Trouble is, I know what’s goin’ on.

  The things they’ve got planned.

  The others don’t understand, you see.

  They say: ‘What are you scared of?

  There’s no need to be frightened.’

  I huddle myself up against

  the window sometimes. Like a curtain.

  Listening to what’s goin’ on outside.

  I’ve got X-ray hearin’, you see.

  It stretches for miles. When people

  talk about me, I can hear every word.

  I get frightened you see. Easily scared.

  7

  First and foremost I need a coat.

  The one I’m wearing’s got patches

  on the patches. I can’t go

  for interviews dressed like this.

  What sort of a job do you think

  I’d get? A job as a tramp?

  No thank you. And while I’m here

  I need some vests and knickers.

  None of them fancy ones either.

  And shoes. Two pair. Leather.

  Don’t argue, I know my rights.

  Refuse and I’ll take you to court.

  First and foremost I need a coat.

  8

  I try to take up little space.

  Keep myself to myself. I find

  the best way to get by is to say

  nothing. Don’t argue, don’t interfere.

  When there’s trouble lie low.

  That’s why I wear a lot of grey.

  Helps me hide away. Blend in

  against the background. I eat

  very little. Don’t smoke or drink.

  Get through the day unnoticed

  that’s the trick. The way to heaven.

  Say me prayers each night just in case.

  I try to take up little space.

  9

  It may sound silly but it’s true.

  I drink like there was no tomorrow

  and I can’t stand the taste of the stuff.

  Never have. My mother was a drunk

  and the smell of her was enough.

  I drink to forget. I know it’s a cliché

  but it’s true. I drink to forget

  and I do. Occasionally I remember

  what I was trying not to remember

  but by then I’ve remembered

  to drink, in order to make

  myself forget. And I do.

  It may sound silly but it’s true.

  10

  I would have liked children I suppose.

  A family and that. It’s natural.

  But it’s too late now. Too old.

  And trouble is I never liked men.

  If I’d been born pretty

  or with a nice figure, I might

  have liked them then. Men,

  and sex and that. But I’m

  no oil painting. Had to face

  that fact right from the start.

  And you see, if you’re born ugly

  well that’s the way life goes. But

  I would have liked children I suppose.

  11

  Oh no, I don’t have to be here.

  I’m not a cast-off like the rest.

  I’m one of the lucky ones. I’ve got

  children. Both gr
own up. A son

  and daughter who’d be only too pleased

  to have me living with them.

  But I prefer my independence.

  Besides, they’ve got their own lives.

  I’d only have to pick up the phone

  and they’d be over. Or send money.

  I mean, I could afford a room

  in a nice clean hotel somewhere.

  Oh no, I don’t have to be here.

  12

  Things are better now with me new glasses.

  I got the last pair just after the war

  and I think they’d lost their power.

  If I could read I’d be able

  to read even better now. Everything’s

  so much clearer. Faces and places.

  Television’s improved too. Not

  that I’m one for stayin’ in.

  I prefer to be out and about.

  Sightseein’ and windowshoppin’.

  In and out of the traffic.

  If you keep on the move, time soon passes.

  Things are better now, with me new glasses.

  13

  I always wanted to go on the stage.

  Dancer mainly, though I had a lovely voice.

  Ran away to the bright lights of London

  to be a star. Nothing came of it though,

  so I went on the game. An actress

  of sorts you might say. I’m the oldest

  professional in the oldest profession.

  Would you like to see me dance?

  I’ll dance for you. I dance in here

  all the time. The girls love it.

  Do you like my dancing? Round

  and round. Not bad eh? For my age.

  I always wanted to go on the stage.

  The Lesson

  A poem that raises the question:

  Should there be capital punishment in schools?

  Chaos ruled OK in the classroom

  as bravely the teacher walked in

  the havocwreakers ignored him

  his voice was lost in the din

  ‘The theme for today is violence

  and homework will be set

  I’m going to teach you a lesson

  one that you’ll never forget’

  He picked on a boy who was shouting

  and throttled him then and there

  then garrotted the girl behind him

  (the one with grotty hair)

  Then sword in hand he hacked his way

  between the chattering rows

  ‘First come, first severed’ he declared

  ‘fingers, feet, or toes’

  He threw the sword at a latecomer

  it struck with deadly aim

  then pulling out a shotgun

  he continued with his game

  The first blast cleared the backrow

  (where those who skive hang out)

  they collapsed like rubber dinghies

  when the plugs pulled out

  ‘Please may I leave the room sir?’

  a trembling vandal enquired

  ‘Of course you may’ said teacher

  put the gun to his temple and fired

  The Head popped a head round the doorway

  to see why a din was being made

  nodded understandingly

  then tossed in a grenade

  And when the ammo was well spent

  with blood on every chair

  Silence shuffled forward

  with its hands up in the air

  The teacher surveyed the carnage

  the dying and the dead

  He waggled a finger severely

  ‘Now let that be a lesson’ he said

  Water, Tree, Cave, Mother

  This is the water

  cold and black

  that drowned the child

  that climbed on its back

  This is the tree

  badtempered and tall

  that tripped the child

  and made it fall

  This is the cave

  with rotting breath

  that hid the child

  and starved it to death

  This is the mother

  who one day chose

  to smother the child

  with kisses, and blows and blows and blows.

  Pantomime poem

  ‘HE’S BEHIND YER!’

  chorused the children

  but the warning came too late.

  The monster leaped forward

  and fastening its teeth into his neck,

  tore off the head.

  The body fell to the floor

  ‘MORE’ cried the children

  ‘MORE, MORE, MORE

  MORE

  Sleep Over

  No, I’d rather stand, thank you. Sorry it’s so late

  but I wanted to get the girls settled down for the night.

  Yes, they’re sharing Emma’s bedroom. Still awake, of course,

  I could hear them chattering away as I slipped out.

  Yes, I know they shouldn’t be left alone in the house

  that’s why I want to get this business settled quickly.

  I’ve brought over the film script you unwisely rejected.

  The one about the producer whose daughter is kidnapped

  by a psychopathic screenwriter. All you do is get it made.

  You own the company, you’re head of production.

  Just do it. Naomi is a lovely kid. Hear what I’m sayin’?

  Don’t worry, I’ll see myself out. Goodnight.

  Persimmons

  Watching the video last night was good.

  The four of us stretched out on two sofas

  after fish and chips. Lights dimmed.

  Soon the heroine, a distracted single mum

  with three kids in the red-neck South,

  is in deep, deep trouble. Satanism.

  Haddock, mushy peas and a large Sprite.

  In her nightmare, someone is on the bed

  trying to strangle her. She wakes in a sweat.

  ‘Pause’ to put the kettle on. The youngest

  is happy to be put to bed. A story,

  but only short because it is Saturday.

  ‘Play’. As she hangs out the washing on the line,

  her dead mother approaches with a basket of persimmons.

  All the scarier for not being a nightmare.

  My son is puzzled by the plum-like orange fruit,

  and while discussing its taste and origins

  we miss the psycho with the baseball bat.

  ‘Stop.’ ‘Rewind?’ No, let her stay for ever

  in the deep deep South. Eating forbidden fruit.

  Hanging out the nightmares with her dead mother.

  The Stranger

  ‘Look quickly!’ said the stranger

  I turned around in time to see

  a wall fall onto the child

  playing beside a derelict house

  In the silence of the rising dust

  I saw the child’s arm thrust

  out stiff between the bricks

  like a tulip

  a white tulip

  a clenched tulip

  I turned angrily to the stranger

  ‘Why did you have to tell me?’

  ‘Well I thought you’d want to see’ he said

  the tulip screamed

  now limp

  now red

  snowscene

  snow crackles underfoot

  like powdered bones

  trees have dandruff

  in their hair

  and the wind moans

  the wind moans

  ponds are wearing glasses

  with lenses three feet deep

  birds are silent in the air

  as stones

  and the wind can’t sleep

  the wind can’t sleep

  i found an oldman by the road

  who had not long been dead

  i had not heard hi
s lonely groans

  nor seen him weep

  only birds heard the last words he said

  before the wind pulled a sheet o’er his head

  the wind pulled a sheet o’er his head

  The Wreck of the Hesperus

  ‘You look like the wreck of the Hesperus

  How long is it since you slept?’

  As through the whistling sleet and snow

  Like a sheeted ghost she swept.

  ‘Where have you been until this hour

  In roughest gale and stinging blast?’

  Then wrapping her warm in his seaman’s coat

  He lay her down to rest.

  ‘The least you could have done was ring

  you knew I’d be worried sick.’

  With rattling shrouds all sheathed in ice

  She drifted, a dreary wreck.

  ‘You promised on your mother’s grave.

  Why, oh why?’ he cried.

  But like the horns of an angry bull

  The cruel rocks gored her side.

  ‘Let me comb the seaweed from your hair

  Come hither, daughter mine.’

  But her brain was soft as carded wool

  And her heart was caked with brine.

  ‘Sleep tight,’ said he. ‘Sweet dreams,’ said he,

  ‘For soon the sun will rise.’

  But the salt sea was frozen on her breast

  The salt tears in her eyes.

  Washed up was she, at break of day

  (Christ save us all from a death like this)

  On the bleak beach of the carpet lay

  For she was the wreck of the Hesperus.

  For she was the wreck of the Hesperus.

  Closet fascist

  in the staffroom

  or over drinks

  he says the things

  with which he thinks

  his colleagues will concur:

  anti-Powell, anti-Front

  liberalminded, fair.

  But enthroned alone

  in his W.C.